If you’ve ever been asked to write a thank-you note, you know that, paradoxically, it can be one of the hardest forms of writing to do well. In light of that, The Morning News has kindly republishedtheir classic guide to writing thank-you notes, written by Leslie Harpold. Sample quote: “If you want to know when you get a genuine pass on writing a note, the litmus test is simple: Do I live under the same roof as the giver?”
Charles Sheeler (American precisionism, modern artist and photographer, 1883-1965) - Conversation, Sky & Earth (1939, via Charles Sheeler’s Power series published in Fortune magazine, 1940). The Amon Carter Museum of American Art, Forth Worth, Texas.
A rhizome is characterized by ‘ceaselessly established connections between semiotic chains, organizations of power, and circumstances relative to the arts, sciences, and social struggles.’ Rather than narrativize history and culture, the rhizome presents history and culture as a map or wide array of attractions and influences with no specific origin or genesis, for a rhizome has no beginning or end; it is always in the middle, between things, interbeing, intermezzo.
Therefore we ought not to say ‘the tree (became) green’ or ‘the tree (is) now green’ (both of which imply a change in the tree’s ‘essence’), but rather ‘the tree greens’. By using the infinitive form of ‘to green’, we make a dynamic attribution of the predicate, an incorporeality distinct from both the tree and green-ness which captures nonetheless the dynamism of the event’s actualisation. The event is not a disruption of some continuous state, but rather the state is constituted by events ‘underlying’ it that, when actualised, mark every moment of the state as a transformation.